Showing posts with label Wilder. Show all posts
Showing posts with label Wilder. Show all posts

Saturday, June 23, 2007

Revisit: The Lost Weekend



A Paramount Pictures release 1945

Directed by Billy Wilder

Written by Billy Wilder & Charlie Brackett

A writer (Ray Milland) struggles with alcohol addiction over the course of a five day binge.



Nominated for seven Acamedy Awards, and winner of four, including Best Picture, Best Director, Best Screenplay and Best Actor, The Lost Weekend shocked audiences in 1945 with it's frank, relentless, realistic portrayal of addiction. Like with many of his films, Wilder chose an unpopular subject and somehow turned it into a smash - partly due to the strong performance of Ray Milland as addict Don Birnam, and partly due to the way the film deals with the taboo subject matter head on. Audiences had never seen anything like it before - crass, revealing, and fully realized, The Lost Weekend gives a full picture of the struggles of the addict, including some particularly terrifying hallucination scenes. The film was also the first to contain a theramin in the soundtrack, an instrument which later became associated with B sci-fi pictures.

Thursday, May 10, 2007

This Summer? Stay Indoors

Summer is usually a great time for the movies. Theaters always beat the heat as Hollywood puts forth the big bucks to blow audiences away with special effects extravanganzas and escapist fare. But unless you live in a city where Herzog films or Lee Marvin tributes abound, there isn't much to look forward to this year. Most of the movies coming out are unnecessary sequels or tired ideas. It's in these trying times that I am thankful for DVDs. While home entertainment will never quite match the theater-going experience, at least it puts you in control of the crap that's on screen. So this summer, instead of wasting seven dollars on another sequel, crank the A.C., curl up on the couch and enjoy these flicks:

INSTEAD OF


WATCH


The original ogre, The Hunchback of Notre Dame is a classic story and was perhaps no better realized than in this 1939 film starring Charles Laughton. Laughton gives an impressive dramatic performance as the insufferable Quasimodo, whose damaged looks went on to set the standard for Hollywood make-up effects and inspired effects artists such as Rick Baker. The 1928 silent version is great as well.


INSTEAD OF


WATCH


The original Rush Hour was noted for its plays on race relations, but people forget that this idea had already been perfected in the 1982 buddy pic 48 Hours. Much funnier than anything Brett Ratner could produce, 48 Hours features Eddie Murphy as a wise-cracking criminal turned cop who aids Nick Nolte in tracking down a killer. This one's almost a no-brainer - Eddie Murphy and Nick Nolte? Handled by The Warriors Walter Hill? Obviously better than a bunch of Jackie-Chan-No-Speaka-Da-English jokes any day.


INSTEAD OF


WATCH


War and screwball comedy are often mixed with hellish results, but David O. Russel's best film manages to combine the two with biting results. Three Kings is as hilarious as it is critical, pertinent as it is pastiche. Besides, Larry the Cable Guy isn't funny.


INSTEAD OF


WATCH


The brillance behind the 1993 kid's flick Surf Ninjas is incredibly understated. You see, it's about ninjas. Who surf. That's cooler than Penguins any day. The pic stars a young Rob Schneider and Leslie Neilson as the bumbling half-cyborg supervillian. Trust me, it's sweet.


INSTEAD OF


WATCH

ANYTHING WITH ERROL FLYNN

Errol Flynn was the swashbuckler Johnny Depp wishes he could be. Don't get me wrong, Depp makes a great pirate and all, but those Carribean movies are crap. You're better off watching any number of Flynn's old flicks, including (but not limited to) Captain Blood, The Adventures of Robin Hood, The Dawn Patrol, The Prince and the Pauper, or The Sea Hawk.


INSTEAD OF


WATCH


C'mon now. A PG-13 Die Hard? No one wants that.


INSTEAD OF


WATCH


If you're going to watch a musical that features cross-dressing males in prominent roles, you might as well make it one that stars Marilyn Monroe as well. This classic screwball comedy follows two musicians on the run after witnessing a mob hit. It's countlessly referenced as one of the greatest comedies of all time, and is a great way to get started on the works of master director Billy Wilder.



More suggestions coming soon!