High & Low Remake

Mamet & Nichols to Remake Kurosawa's High & Low -- /film.com

Been a while since I've posted on here, but this news item prompted me out of retirement. Mike Nichols (Closer, The Graduate) and David Mamet (Glengarry Glen Ross) plan on remaking Kurosawa's classic 1963 drama High & Low. The remake is supposedly going to be produced by Scott Rudin and Martin Scorsese.

This is probably my favorite Kurosawa film, one that's made with a lot of heart and technical skill. The film tells the story of a rich man who must pay ransom for the son of one of his employees. It explores the economic disparity between rich & poor in post-war Japan. Kurosawa's first film to be shot in widescreen, his staging is absolutely incredible. He knew just where to put his actors to maximize each shots impact. And the presentation of geography and the city landscape is also unbelievable.



Normally I'm flat out against remakes of perfect films (and this film is perfect), but my feelings are mixed on this one. While it could never hold a candle to the original, it could be very interesting thematically, considering the current political and economic climate.

Give the original film a look, if you haven't already. You won't be disappointed.

Also, expect more regular posts from here on out. I'm watching more movies and want to make a better record of what I've seen.

Revisit: Port of Shadows

A Janus Films release 1938

Directed by Marcel Carné

Written by:
Pierre Dumarchais (novel)
Jacques Prévert (screenplay)

A military deserter (Jean Gabin) finds love and trouble in a smoky French port city.



A truly beautiful film that follows the classic Hollywood template, Carné's Port of Shadows is the kind of movie where all of the elements culminate into a near-perfect package. The air-tight script is chock full of fantastic dialogue and well-rounded characters, aided by the incredible cast, which includes Jean Gabin, Michel Simon, and Michele Morgan. Even minor characters are surprisingly well developed. Likewise, there isn't a shot in the film that feels out of place or sloppy; everything is essential. The lighting, grain, and over-all look of the film is quite stunning and especially effective in telling the story. It's interesting to note that this film is pre-WWII, as much of the script feels like an allusion to the war. A must see.