Written by Murray Salem, Herschel Weingrod & Timothy Harris
A police officer goes undercover as a kindergarten teacher to track down the wife and child of a ruthless drug lord.
This 1990 comedy is endlessly quotable, thanks to counter-programming Arnold Schwarzenegger's over-the-top action persona with a group of sharp-tongued little kids. Like many of Arnold's films the plot verges on completely ridiculous, and serves a fine helping of subverted genre cliches, including a crazed mother/son crime combo that make the Bates family look normal. A mild diversion, with the kind of dirty jokes involving kids that don't really make it into movies much anymore.
A young girl walks through a secret door in her new home and discovers an alternate version of her life.
I've seen Coraline twice now and I can't seem to get it out of my head. The mix of intense artistry and chilling children's fantasy is infectious, and incredibly beautiful. As of right now it's my top film of 2009 and sure to be on my top ten list come the end of the year.
There are two major reasons why I love this film. Number one: Henry Selick's incredibly detailed, labor of love animation. This is as good as it gets people -- a fully realized, amazingly in depth 3D world made entirely of miniature puppets and set pieces. A lot of heart and soul went into the making of this film, and every ounce of it shows on screen. Everything from the soundtrack to the V.O. to the little hairs on Coraline's head are pitch perfect. It's truly a wonder to behold, and infinitely more impressive than any computer generated image. It's a shame more filmmakers don't follow in his footsteps.
Number two: Neil Gaiman's beautiful story. A take on the classic Alice in Wonderland, down the rabbit hole type tale, the story of Coraline is as breathtakingly imaginative as the animation that brings it to life. Despite being a fantasy, it doesn't pander to overprotective parents and has some real scares that are sure to upset younger viewers. But no matter -- Gaiman knows that kids are braver than we give them credit, and it's refreshing to see a children's film that isn't all cute animals and silly colors.
The film does have its flaws. Some scenes drag on a tad too long and overall the screen story isn't as streamlined as the novel. But those are some small grievances that were easily overlooked on my first viewing. I may be biased as this film has a lot of elements that tickle my fancy, but seriously -- I don't think I could be friends with anyone who didn't like this film. Selick and Gaiman have done children (and adults) everywhere a service, creating a masterful and resonating work that should be cherished for generations.
On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal, and so restore order to his world.
I miss Jim Henson. The man was an incredibly vibrant creative force who's energy and creative philosophy you can feel pulsating through each of the film's he touched. The Dark Crystal, in particular, is brimming with Henson's personal touch -- from the bevy of creatures they created to populate the world, to the spot on characterizations of each Muppet, you can feel his presence hovering over the film throughout.
Dark Crystal is your typical fantasy fare: a strange land is in peril, and a young hero has been chosen to save the day. But what separates Dark Crystal from other fantasy epics is the amount of visual detail, flair, and attention paid to the most minute of characters. The Muppet performers are delightful, wringing personality and life out of every little piece of cloth. Particularly impressive are the vile Skeksis, who look like vultures mixed with Victorian era-elitists. A dinner scene featuring these disgusting creature is particularly hilarious, and like something straight out of Bunuel. The film is just as well shot too -- a beautiful landscape sequence shows thousands of Henson's Muppet creations marching through the desert, almost blending into the background as they slowly walk past.
If you like fantasy, Muppets, or just plain old cool special effects, Dark Crystal is a must see. The sheer magnitude of the production -- thousands of tiny little puppets and effects -- is almost unbelievable. They simply don't make movies like this any more.
Written by Wolfgang Petersen & Herman Weigel Based on the novel by Michael Ende
A troubled boy dives into a wonderous fantasy world through the pages of a mysterious book.
This effects-ridden fantasy film by German filmmaker Wolfgang Peterson, best known for action set pieces like Air Force One and Das Boot, was a failure at the box office when it was released, but quickly garnered a large cult following, and in turn a bevy of sequels, as well as an animated series. Based (somewhat) on the book of the same name, it follows the usual fantasy epic trajectory -- a vague evil is plaguing the land, and some young buck hero is fabled to stop it. The effects aren't quite as impressive as The Dark Crystal, nor is the land littered with as many quirks and quips to really bring it to life. But the story is simple and engaging enough that I could see why children would enjoy it.
This Family Guy spoofs sums up the best parts of the film pretty well:
